#i’ve literally just read it

[laundrybiscuits]

The officer leans close, jabbing a finger into Steve’s chest. “You’re damn lucky it ain’t ten years ago or one state over,” he growls. “You could be looking at a felony charge, serving 15 to life. We didn’t stand for this kind of thing in Hawkins when I joined the force.”

Steve just folds his arms and gives the officer a bored look. “Okay,” he says. “Good talk. Can I see my boyfriend now?”

The officer sneers, but he steps aside to let Steve through. They’ve got Eddie cuffed to the hospital bed with another gun-toting guard in the corner. 

“Jesus christ,” snaps Steve. “He’s not gonna escape, he can’t even walk right now. Why don’t you clear out and give us a little privacy, huh?”

“Sorry,” says the guard, not sounding all that sorry. “It’s for his own protection.”

Fuck. He’s gonna have to hope Eddie can follow his lead. All that practice pretending to be a wizard or whatever has to be good for something, right?

He perches on the side of Eddie’s bed and takes his hand. He can do this. “Hey, gorgeous. How’re you feeling?” 

“Uh,” says Eddie, eyebrows doing something hilarious. “Steve?”

“It’s okay,” says Steve. He rubs his thumb over Eddie’s knuckles. This is the most they’ve ever touched, he thinks—the most that was just skin, no layers of denim or leather in between. Not even a layer of blood and dirt. 

He swallows and keeps going, willing Eddie to develop freaky mind-reading powers all of a sudden. “I know you didn’t want to tell anyone about us, but I had to, baby. I’m sorry. I had to tell them you were, y’know, with me when…when Jason killed Chrissy.”

“You didn’t have to tell them about us,” says Eddie slowly. He’s giving Steve kind of an intense look. “Honey-pie. I’m sure there’s gotta be another way. One without as many consequences for you that you might not have thought all the way through.”

“There really isn’t,” Steve says. Thank god Eddie’s so quick on the uptake. Sure, he’s being a stubborn dick about it, but at least it doesn’t seem like he’s going to let anything slip. 

“Fucking hell,” sighs Eddie. “Don’t suppose we can put that pesky little cat back in the bag. Okay. Darling angel, light of my life, corndog of my soul, who else knows?”

Corndog of my soul, Steve mouths to himself. “Just the cops. And Robin and Nancy, obviously. And—oh, remember Hopper?”

“Do I remember Hopper, he asks. Oh, pudding-pop. The late Chief Hopper and I spent so, so much quality time together over the years; he was practically a father figure to me. And just as with my actual dear old dad, his departure was cause for great rejoicing in Casa Munson.”

“Sorry to break the bad news, then. Hop’s alive, and he—uh, he knows everything.” Steve tries to communicate the scope of everything by kind of tilting his head back and forth. “He’s been…helping.”

“Huh. No shit,” says Eddie. Steve can’t tell whether or not he’s getting it. To be fair, there’s a lot to get. “Okay, gallant knight errant of mine, any news on whether or not I’m getting sprung from this charmingly appointed dungeon?”

“We’re…Hopper’s working on it. That’s why I’m. Y’know. Here. To tell you that they know about us.” 

“Cool, right, understood.” Eddie closes his eyes, leaning back on his pillow. It’s so strange to see him in nothing but a hospital gown against white sheets. He looks like a wrung-out dishtowel. 

There’s a commotion from outside, raised voices saying something like you let him what and haven’t even interrogated the Munson kid yet and not a legal status you fuckin—

“Time’s up, sweetheart,” says Eddie, mouth quirking up into the ghost of a smile. “Anything else you wanna say before they decide to upgrade my security?”

“Uh,” says Steve. He’d mostly been focusing on getting the basics of Eddie’s alibi across in a convincing way, and he can’t remember if there were any other details Eddie should know. 

He hears the door slam open behind him, and panics. “Love you, bye,” he says, and ducks in to brush a quick kiss across Eddie’s chapped lips. The last thing he sees as he’s hauled bodily out of the room by a pissed-off detective is Eddie with his eyes gone enormous and shocked, lifting his uncuffed hand to his mouth, looking and looking at Steve like something is always going to be different from now on, forever.

(ETA: small continuation here!)

[la5pampy]

Tw: blood (just a bit)

HAPPY ONE YEAR ANNIVERSARY! :D to the wondeful fic by @bubbiethesaur

I cannot recommend this fic enought, it’s so well written and has got me in a choke hold (Lra sun my beloved<33)

(Ok now I’m sprinting to the new chap)

[pandoraistheloml]

trying to beat the weird kid allegations and then they mention that one fanfic

[fumifooms]

Kaka compilation

Because everyone is sleeping on him. Witness his greatness!! First two Kaka colored icons were colored by me, lineart by Ryoko Kui though!

Kaka & Kiki are kinda like Laios & Falin… Kaka being stoic and giving repressed energy like early Laios, Kiki being cryptic and always smiling and kinda soft-looking. Autism siblings 2, ostracized and othered as kids and have a deep bond due to sticking together through it all, though unlike with Laios their parents are very loving so Kaka developed family as a big value more than Laios (bc asides for Falin Laios doesn’t care much about it).

In the gnome festival comic you can see Kaka is more emotive than he seems! Full with a :3 face, and he’s the one crying at the end. He’s insecure about his legs and being tall… It really got to him. Conceal don’t feel. In the gnome festival comic you also see him sensing others’ gaze on him and that something is off unlike Kiki, again Laios-like in the way that judgement from others gets to him more than her.

[rowanisawriter]

deeply embarrassing being god born in ancient greece i think, everyone knows the exact place and detailed story of your conception, “yeah that’s aeneas his mom and dad fucked at the foot of mount ida” i would die. i would die every time someone addressed me by my full name “aeneas son of anchises who everyone knows aphrodite fucked at the foot of mount ida” god

[nyaa]

Statue of William S Clark, Sapporo. 北へ。/ Kita e. Photo Memories (1999)

William Smith Clark (July 31, 1826 – March 9, 1886) was an American professor of chemistry, botany, and zoology; a colonel during the American Civil War; and a leader in agricultural education. Raised and schooled in Easthampton, Massachusetts, Clark spent most of his adult life in Amherst, Massachusetts. He graduated from Amherst College in 1848 and obtained a doctorate in chemistry from Georgia Augusta University in Göttingen in 1852. He then served as professor of chemistry at Amherst College from 1852 to 1867.

Clark had a significant impact on the scientific and economic development of the island of Hokkaido, and made a lasting imprint on Japanese culture. Clark's visage overlooks Sapporo from several statues and his parting words to his Japanese students, "Boys, be ambitious!" (「少年よ大志を抱け Shōnen yo, taishi o idake」) have become a nationally known motto in Japan.

Read More

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[muckyschmuck]

ultimately!

[remma-demma]

I think some people don’t realize homestuck is a story about storytelling.

I was thinking about people insisting the Epilogues, hs^2, or Beyond Canon aren’t canon. And like. Yeah, that’s the point.

What does it mean to be canon anyway? Stories that get tied up in neat little bows are hard to expand upon. What happens after the happily ever after?

You can take it the direction of mundane day to day fluff (candy) or send them on another world shattering adventure (meat) but neither one is really real because… it’s a story. Homestuck was never really real. They’re both real. None of them are real.

This is all so clearly spelled out in the post canon material that I’m forced to assume they just. Have not engaged in it and / or ignore it on principle.

[gen4grl]

messy expression sketches + colouring with my oc clem who looks alot like her dad lol

[faustodisco]

It is actually remarkably easy to reconcile the pale as a metaphor for climate change, the pale as a metaphor for nostalgia and the pale as a metaphor for apathy. Because the secret is these things are all caused by capitalism, which the pale is also a metaphor for.

[chaosduckies]

Nose Hugs ❤️

Whattt these two again? (I can’t stop doodling them I love their dynamic so much help-) Again, I think the tiny is going to be smaller, but I can’t draw that small, nor am I an artist sooo… TwT

The tiny’s wings finally healed up after months and is just grateful that the human he’s lived with took care of him for so long. :3 (Or is that it?…)

[thelibraryofalexandriastillburns]

anyway, i read the best one i’ve seen so far recently so here’s my rec:

Chapters: 9/9

Fandom: Batman - All Media Types, Batman (Comics)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Relationships: Tim Drake & Jason Todd, Dick Grayson & Jason Todd, Tim Drake & Dick Grayson & Jason Todd, Stephanie Brown & Cassandra Cain & Tim Drake & Dick Grayson & Jason Todd & Damian Wayne

Characters: Jason Todd, Tim Drake, Dick Grayson, Stephanie Brown, Bernard Dowd, Cassandra Cain, Bruce Wayne

Additional Tags: Original Character(s), POV Outsider, Jason Todd is Red Hood, Good Sibling Jason Todd, Jason Todd is Good With Kids, Child Protective Services, Dick Grayson is Nightwing, Good Sibling Dick Grayson, Purposeful Brother Acquisition, secret identity shenanigans, Batfamily Dynamics (DCU), Lawful Neutral Poison Ivy, Tim Drake Needs a Hug, Background Bernard Dowd/Tim Drake

Series: Part 1 of Gotham CPS

Summary:

CPS Agent, pointing at Tim Drake: We need to take him with us

Red Hood: He's fine where he is

CPS: He's a minor

Hood: Timbo, you a minor?

Tim: Can't prove it

CPS: I mean, I can. There are records –

Tim, who has just finishing hacking CPS to remove his own file: Oh really, tell me more about these records

+++

A CPS agent gets sent to investigate a tip that Tim Drake has been abandoned by his parents and is living with the Red Hood. The CPS agent leaves with no Tim Drake, a date with Red Hood's lieutenant, and an intern who's promising to fix the IT systems at his office.

It's a weird day for Theo.

i may never forgive the specific writers of the DC comics for the bad relationships between Batman and the Robins (especially not Jason), but you know what i will do? read a crap ton of fix it fics where they are a PROPER FAMILY

[arctic-bookclub]

in my opinion, qphil isolating and exiling himself is only going to make things worse or delay the inevitable: as shown yesterday the enderking wants qphil to isolate, to not tell anyone, and luckily for our evil demigod that is exactly how qphil operates. he holds secrets in hopes of not hurting others, not getting them involved. and we just saw what happens when he has a support network helping him, he broke free from enderking’s grasp even for a moment. but that bit is not the only reason why his isolation is playing straight into enderking’s hands: it’s his insecurities as well. ”i’m a shit dad” ”i need to prove myself worthy of protecting” ”i need to provide better for the family” ”i need to be stronger” - all insecurities that are qphil’s downfall. enderking has already played into his need to provide for the kids as well as the want to be stronger (the buffs in the dungeon), what’s stopping him from digging his claws further to qphil’s core, his insecurities and weaknesses now that he has no one to break him out of his self-deprecating loop? when all he has are his thoughts, the caws of a crow and the voice of him? if no one finds him in exile, i think he will lose himself again, betrayed by his own mind

[a-bottle-of-tyelenol]

people are, of course, allowed to have their opinions and dislike whatever they please but a lot of criticism I see about epic not being a good adaptation boils down to people not realizing that 1) it’s a retelling BASED on the odyssey and was never actually meant to be an adaption, let alone a faithful one

and 2) even if it was, that’s just the nature of how adaptions and retellings work. there will NEVER be a totally good and faithful adaption or retelling of the odyssey (movie, musical, ect) because there will ALWAYS be constraints of some kind.

so much shit happens in the odyssey and there isn’t a valid musical length that could go over it all. Jay cut out a lot and he STILL has issues with time (that’s why you see so many people criticizing the fact that we don’t spend enough time with the crew before they die or calypso before odysseus leaves). Jay has spoken at length about all the things he TRIED to include but couldn’t because there wasn’t time to do them or because it didn’t narratively feel satisfying (the laestrygonians, for example, originally had a much bigger part, as did the lotus eaters).

which leads to my next point— Jay prioritizes a satisfying and clear cut narrative over one that is authentic to the original story (which again is how MOST retellings go about it especially when their goal is to share the story with a wider audience!). Like I’m sorry I love the odyssey and the Iliad but they aren’t a satisfying story/conclusion to me. and that doesn’t make them bad or worse; it makes sense that they feel this way considering they’re PARTS of an overarching story that we’re missing crucial pieces of and, more importantly, ITS NOT A MODERN STORY AND THEREFORE IS NOT HELD UNDER THE WAY MODERN PEOPLE VIEW SATISFYING ARCS AND NARRATIVES!!! The odyssey is fantastic but it would literally never work as a modern musical and epic wouldn’t be enjoyable at all if Jay tried to be as accurate as possible.

Jay was inspired to tell a story about grief and what it means to be human interacting with that grief. obviously he’d have odysseus reveal his name to the cyclops because he’s angry and grieving instead of being prideful. obviously he’d have it so odysseus had to choose who died to zeus immediately after the cow was slain. obviously he’d make it so odysseus’ primary motivations surround his survivor’s guilt and missing his home over the more complicated and harder to express themes and motivations of odyssey!odysseus.

like I do understand the frustration of never getting an “authentic adaptation” but if you want something authentic then… read the odyssey? you will never get something that is 100% authentic or scene to scene otherwise. you might get close, I’ll definitely give you that, but SOMETHING has to give. a perfect adaptation to you will be missing something crucial to someone else and that will always be how it is.

life is so much more fun when you’re willing to enjoy art that has “based on” disclaimers literally everywhere as something separate (or you are just willing to enjoy adaptations/retellings separately to the source material in general). epic was NEVER intended on being seen as an accurate portrayal of odysseus and Jay never claimed it was. It really does feel like y’all are setting it up for failure by seeing it as something it was never meant to be and then getting upset that it isn’t accurate when no one ever said it would be.

maybe it’s just a me thing because I’ve never had any issue separating media from their adaptions/retellings, even my favorite ones, but idk it just sucks seeing people say they have a ton of issues with epic and their issues are all just,,, it’s not accurate enough.

Idk if this makes sense or not but I’m just rambling. like what you like, dislike what you dislike. I’m not saying anyone is wrong or anything in how they feel or their preferences. I just think we should all be more open minded about these things idk

[lunar-years]

When I was in DC visiting college friends who are all very smart people with very well-to-do jobs they started a conversation about ChatGPT and concluded it by agreeing in earnest that they think AI is actually really useful and a great tool for things such as WRITING ONE’S WEDDING VOWS because otherwise it’s “too hard to come up with what to say.” When I tell you I nearly keeled over on the spot…